Category Archives: History

Presentatie ‘Krijgstoneel van Europa’ in Breda

Een symposium, muziek, een mini-expo én een nieuw boek: Krijgstoneel van Europa is feestelijk gepresenteerd!

Op dinsdag 1 juli was het moment daar: ik overhandigde het eerste exemplaar van Krijgstoneel van Europa. Tijdgenoten over het Beleg van Breda 1624-1625 aan de burgemeester van Breda, Paul Depla. Het was de culminatie van een project waar ik met veel plezier aan heb gewerkt en waar ik met evenveel voldoening op terugkijk.

In een volle zaal in het Stedelijk Museum Breda stonden we stil bij 400 jaar Beleg van Breda.

Lars Tupker, Jan van Oudheusden en Marjolein ’t Hart gaven boeiende lezingen over het beleg en de Tachtigjarige Oorlog, het ensemble ‘Twee violen en een bas’ (en een extra harp!) speelde prachtige 17-eeuwse muziek en ik vertelde over de totstandkoming van mijn boek, de keuzes die ik moest maken en de uitdagingen waar ik mee te maken kreeg tijdens het schrijfproces. Na de plechtige overhandiging van het eerste exemplaar sloten we de bijeenkomst goedgeluimd af door met de hele zaal een geuzenlied te zingen over het Beleg van Breda, dat de spot drijft met de Habsburgse vijand. Met pakweg 100 stemmen lukte het aardig om de sfeer van 400 jaar geleden te doen herleven!


Tijdens de borrel na afloop kon het publiek een kijkje nemen bij de mini-expo over het Beleg van Breda en nogmaals genieten van ‘Twee violen en een bas’ (en harp dus), dat zorgde voor schitterende achtergrondmuziek. Ondertussen deed ik een interessante nieuwe ervaring op: boeken signeren.

Veel dank aan de sprekers, de muzikanten, dagvoorzitters Wouter Loeff en Monique Rakhorst, en de overige organisatie van het Stedelijk Museum Breda, Erfgoed Brabant en de Zuiderwaterlinie, met wie ik deze dag heb gerealiseerd. Ik ben trots op onze samenwerking! Dank bovendien aan allen die deze dag met hun aanwezigheid en stemgeluid hebben vereerd 😉

Krijgstoneel van Europa. Tijdgenoten over het Beleg van Breda 1624-1625, vormgegeven door YURR Studio en uitgegeven door WBOOKS, is dankzij subsidie van De Mastboom-Brosens Stichting te koop voor slechts €24,95. Volg deze link om meer over het boek te lezen en het aan te schaffen.

NIEUW BOEK: ‘Krijgstoneel van Europa’

“Een boek dat laat zien hoe belangrijk het is om de geschiedenis van de Tachtigjarige Oorlog vanuit verschillende perspectieven te beschrijven. Dat maakt het tot een geslaagde ‘inclusieve geschiedenis’!”

Prof. dr. Marjolein ‘t Hart


Ruim een jaar geleden kreeg ik een idee: een boek voor een breed publiek, ter gelegenheid van het 400-jarig jubileum van het Beleg van Breda van 1624-1625. Na een uitputtingsslag van 9 maanden kwam de stad toen weer in handen van de Spaanse Habsburgers. Dit sleutelmoment uit de Tachtigjarige Oorlog wilde ik uitdiepen aan de hand van originele teksten uit diverse streken en landen, die verschillende vensters openen op de strijd. Een meerstemmig verhaal dus, met aandacht voor zowel de lokale als de internationale weerslag van het beleg.

Het resultaat is Krijgstoneel van Europa. Tijdgenoten over het Beleg van Breda 1624-1625. Daarin breng ik 15 teksten samen: van brieven tot gedichten en van een medische verhandeling tot een toneelstuk. Ik ver- en hertaalde ze uit het Duits, Engels, Frans, Italiaans, Latijn, Nederlands, Pools en Spaans. Vooral het vertalen van de dichterlijke teksten, met behoud van metrum en rijm, was erg uitdagend en leuk om te doen!


Samen belichten de bronnen belangrijke facetten van het beleg, zoals het leven in de stad, pogingen tot ontzet, nieuwsverspreiding over de strijd, de rol van eer en wederzijdse spot, en de gevolgen voor het Brabantse platteland. Deze en andere onderwerpen behandel ik dan ook in de 15 hoofdstukken die ik schreef ter begeleiding van de bronteksten. In de epiloog bespreek ik bovendien hoe Nederlandse schrijvers bij de herovering van Breda in 1637 teruggrepen op het beleg daarvóór. Verrijkt met tientallen kleurenillustraties biedt het boek een gevarieerd beeld van het Beleg van Breda, de Tachtigjarige Oorlog en het Europa van de 17e eeuw.


Krijgstoneel van Europa
is vanaf 1 juli verkrijgbaar. Op deze pagina kun je een inkijkexemplaar bewonderen en het boek aanschaffen. Dankzij subsidie van De Mastboom-Brosens Stichting kost het boek (184 pagina’s, hardcover) slechts €24,95.

Samen met het Stedelijk Museum Breda organiseerde ik de tijdelijke, bijpassende tentoonstelling 400 Jaar Overgave van Breda. Op Brabants Erfgoed staat bovendien een voorpublicatie: het verslag van de Litouwse koninklijk secretaris Stefan Pac, die de Poolse kroonprins Władysław Waza vergezelde tijdens diens bezoek aan het beleg.

Het boek is mede mogelijk gemaakt door verschillende individuen en instanties. Daarbij doel ik met name op een drietal partners dat enthousiast was over mijn idee en de uitvoering mogelijk maakte: Stedelijk Museum Breda regelde financiële ondersteuning, WBOOKS tekende voor de uitgave en YURR studio verzorgde de vormgeving. Ik dank hen allen hartelijk voor de prettige samenwerking.

Nieuwe publicatie in ‘De Tachtigjarige Oorlog in Europese Ogen’

Op 12 juni vierden we bij Uitgeverij Boom in Amsterdam de publicatie van De Tachtigjarige Oorlog in Europese Ogen: De internationale geschiedenis van een nationaal verhaal, een rijke en vernieuwende bundel die beschrijft hoe de strijd beleefd werd buiten de Lage Landen, van Portugal tot Bohemen en van Schotland tot het Osmaanse Rijk. Centraal staan drie B’s: berichtgeving, beeldvorming en directe betrokkenheid. Zoals de aankondiging stelt: “Het is de Nederlandse geschiedenis binnenstebuiten gekeerd.”

Heel veel dank en felicitaties aan Raymond Fagel en Yolanda Rodríguez Pérez, de geweldige redacteurs, die het eerste exemplaar presenteerden aan niemand minder dan Anton van der Lem.

Het was bovendien een groot genoegen om iets te mogen vertellen over mijn bijdrage, die gaat over de Poolse betrokkenheid op schrift en in de strijd. Van nieuwsmedia die de Nederlanders roemen tot gedichten die hen zwartmaken, en van protestanten én katholieken die Maurits van Oranje ophemelen tot een officier die carrière maakt bij de WIC.

Nieuwsgierig? Een deel van mijn hoofdstuk is gepubliceerd op Historiek.

Het boek is te bestellen via de uitgever.

MdNL-Fellowship

I am happy to announce that I have been awarded a fellowship by the Maatschappij der Nederlandse Letterkunde (Society of Dutch Literature). The fellowship will allow me to conduct research into the production and circulation of Dutch poetry in seventeenth-century Polish Prussia, preserved in printed texts and manuscripts. My project will shed new light on the transnational significance of early modern Dutch literature, as well as on the use of the Dutch language in Gdańsk and other cities in the region, which was characterised by close commercial and cultural contacts with the United Provinces. Until now, however, the impact of Dutch poetry on Polish Prussia has not been examined.

For the announcement, see this webpage.

Jan III Sobieski in the Netherlands: From De Hooghe to Wilders


This week, I had the honour of speaking in the grand White Hall of Wilanów Palace, Warsaw. The occasion: a three-day conference on practices of remembrance surrounding Jan III Sobieski and his family, from the seventeenth century until today. The programme included compelling presentations (in Polish and English) on various topics, from the transnational reception of Sobieski and his family as evidenced by archival material, art objects, and architecture across Europe and America, to the ongoing remembrance of the former king in Poland itself. The conference was excellently organised by the museum at Wilanów Palace, offering live translations into Polish or English to those that needed it, and serving its guests an array of delicious seventeenth-century dishes, including vegetarian options. Sobieski, the founder of the palace, surely would have been pleased.

My own presentation, in Polish, concerned Dutch representations and appropriations of Jan III Sobieski throughout history. The king first gained fame in the Dutch Republic after his victory against Ottoman forces at Khotyn in 1673. Working on the basis of instructions from the Polish royal court, the etcher Romeyn de Hooghe extolled Sobieski and his exploits in a range of engravings, of which an equestrian portrait would prove particularly influential, both in the United Provinces and abroad. Following the famous Battle of Vienna in 1683, furthermore, a multitude of Dutch cultural entrepreneurs glorified Sobieski as one of the principal architects of a grand Christian victory, producing prints and writing in various literary genres. Artists adopted and reinterpreted the imagery designed by De Hooghe, and several poets appropriated similar motifs.

Admittedly, other observers were less flattering: whereas some ascribed the victory at Vienna to other protagonists, paying special homage to Emperor Leopold I, others did not partake in the festive mood at all, possibly inspired by Calvinist inclinations. Nevertheless, Dutch sources about Sobieski generally voice a strong sense of admiration, which authors and artists kept developing in various genres. The king himself played an active role in this process of idolization by influencing the press, instructing De Hooghe, and using diplomatic agents to polish up his image abroad.

After the king’s death, the attention devoted to Sobieski and his military triumphs naturally lessened, yet the monarch remained entrenched in Dutch collective memory. In the 1830s, Sobieski’s letters to his wife were eagerly translated into Dutch and presented as windows into his pious and friendly nature, but also as sources showing Poland’s supposed anarchy. This framing was particularly relevant at a time when Polish resistance against Russian rule captivated Dutch audiences, who were simultaneously engaged with a Belgian uprising. Several decades later, in 1869, a host of Dutch students masqueraded through the city of Groningen, imitating Sobieski’s entrance into Vienna and celebrating him as a hero of Christendom. Evidently, the former king lived on in Dutch memory and was paraded to express local identities.

More recently, far-right Dutch politicians have used Sobieski as a figurehead of their own movement. This is a particularly popular practice amongst politicians from the PVV, the so-called Party for Freedom, which won the elections last November and is currently the largest party in the Dutch government. For party leader Geert Wilders and his colleagues, Sobieski has become a mascot in their campaigns against what they call “islamiphication”. Wilders even compared himself to Sobieski in a speech he gave in Vienna in 2015, arguing for the continuation of the king’s alleged fight against “Islam” in order to defend and preserve “freedom”. White supremacist terrorists like Anders Breivik have used the Polish monarch in a similar manner.

The fact that Europe in 1683 (much like today) did not risk being “islamiphied” and Sobieski was not interested in crusading against Islam – indeed, he spoke Turkish and valued Ottoman culture – matters little to Wilders and others like him. Their appropriation of Sobieski serves a purely political purpose: to instil fear and hatred of Muslims. Through their militant rhetoric, they contribute to the idea of an inherent division between a “free” Europe and the Islamic world. Geert Wilders and his colleagues selectively make use of the various elements of Sobieski’s historical image and bend them to their own ends: instead of praising the monarch for his military prowess, for instance, or honouring him as a Christian hero, they portray him as a champion of “freedom” and conqueror of “Islam” in the broadest sense of the word. As I have argued before, this appropriation is harmful to society and by no means justified by historical reality.

For a recording of my presentation, see the first video (dated 5 November) on this webpage (I start talking at ca. 1:15).

Wiszowaty and Brandt: Dutch-Polish Friendship in the 17th Century (NL Embassy in PL)

On this day in 1678, the influential Polish theologian and philosopher Andrzej Wiszowaty died in Amsterdam. Wiszowaty was a prominent member of the Polish Brethren: a Protestant community that emerged in the 1560s as a result of a split within the Polish Reformed Church. The Brethren, also known as Arians, Socinians, and Anti-Trinitarians, refused Christian doctrines about Hell and the Trinity, advocated the separation of church and state, and preached equality between all people. Although they were initially tolerated in Poland, the Sejm had their academy in Raków destroyed in 1638, and they were officially banished from Poland in 1658.

Numerous Polish Brethren found refuge in Holland, where many of them had studied. They mainly came to Amsterdam, where they fostered close relations with other religious minorities. Andrzej Wiszowaty and his family were amongst these migrants, settling in Amsterdam in 1666. He is known in particular for his leading role in the printing of the Bibliotheca Fratrum Polonorum: a monumental series of works by Polish Brethren, published in Amsterdam between 1668 and 1692, which was to influence Voltaire and John Locke. Wiszowaty was also active as a poet, translator, and preacher. A commentary he wrote on a book about Hinduism, published in Leiden in 1651, proves that he knew Dutch.

The front page of the catechism of the Polish Brethren, edited by Wiszowaty and published in Amsterdam in 1680.

Upon Wiszowaty’s death, the Dutch poet Gerardt Brandt wrote an epitaph in his honour, which reads:

No gravestone, but the earth of a cemetery covers the body
Of Wiszowaty, who, although he was poor, was rich
In virtue and scholarship; and expelled by Papism,
He found his resting place at the river IJ, and eternal life with God.

The case of Wiszowaty is one of many examples of historical Dutch-Polish friendship, fuelled by migration, religion, and scholarship.

*I originally wrote this post for the social media outlets of the Dutch Embassy in Poland. This was post no. 58.

Chopin in Curaçao (NL Embassy in PL)

Between 2 and 4 August, the Dutch Chopin Festival will take place in Castle Oud Poelgeest, in Leiden. This year’s theme is “influenced by Chopin”. One of the legacies of Poland’s best-known composer is the popularisation of the mazurka. This type of music, characterised by its liveliness and a strong accent on the second beat, has its origins in three Polish folk dances: the mazur, the kujawiak, and the oberek. Prior to Chopin, a large number of mazurkas were written by the Polish composer Maria Szymanowska. Chopin’s mazurkas for piano subsequently propelled the genre’s popularity, which reached its height in Europe and the United States during the mid to late nineteenth century.

Jan Gerard Palm with his grandsons Rudolf, John, and Jacobo Palm.

In the Netherlands, examples of mazurkas feature in the songbook Jan Pierewiet: a collection of Dutch and Flemish folk songs meant for children, published between 1933 and 1972. Moreover, multiple mazurkas were written by composers from Curaçao, which is one of the islands comprising the Caribbean part of the Kingdom of the Netherlands. Among them was Jan Gerard Palm, who lived in the nineteenth century and is considered the first composer of classical music from Curaçao. He wrote several mazurkas, including one for the birthday of his son in law. Another well-known composer from Curaçao who wrote mazurkas was Wim Statius Muller, who was a student of Jacobo Palm, a grandson of Jan Gerard Palm. Muller even earned the nickname “Curaçao’s Chopin” because of his romantic style of piano composition!

For more information about the Chopin Festival, see this website.

*I originally wrote this post for the social media outlets of the Dutch Embassy in Poland. This was post no. 57.

Dutch-Polish Football History 2 (NL Embassy in PL)

Poland and the Netherlands share a lot of football history. For example, in addition to the matches played between the national men’s teams we wrote about earlier, the Dutch and Polish women’s teams have crossed paths as well: they have faced each other in three friendly matches, the first of which took place on 8 August 2009 in Tilburg, where the Netherlands won 2-0. Ten years later, in 2019, Poland won the second match 0-1. The third encounter was played last year and once again ended in a Dutch victory: 4-1. Goals were scored by Ewa Pajor, Małgorzata Grec (own goal), Lineth Beerensteyn, Lieke Martens, and Jill Roord.

This month, moreover, football club NAC Breda presented their shirts for the new season, which feature the names and photographs of Polish soldiers who died during the liberation of Breda in 1944. In 2019, on the 75th anniversary of the liberation, NAC temporarily renamed their stadium after General Maczek, who led the Polish 1st Armoured Division. In addition, numerous Polish footballers have played for Dutch clubs. Some of the best-known examples include keeper Jerzy Dudek (Feyenoord), striker Arkadiusz Milik (Ajax), and of course forward Włodzimierz ‘Wlodi’ Smolarek (Feyenoord and FC Utrecht), who also enjoyed success with the Polish national team and settled in the Netherlands, becoming youth coach for Feyenoord.

Conversely, Dutch players have participated in the Polish competition, such as Fred Benson (Lechia Gdańsk), Kew Jaliens (Wisła Kraków), and Johan Voskamp (Śląsk Wrocław). Dutch coaches have been active in Poland as well. Robert Maaskant, for example, was trainer of Wisła Kraków in 2010 and 2011. Starting in 2006, furthermore, the national Polish men’s team was coached by Leo Beenhakker. Under his guidance, Poland in 2008 made its debut at a European Championship, but the team – which included Euzebiusz ‘Ebi’ Smolarek, the son of ‘Wlodi’ – did not make it past the group phase. Although Beenhakker was fired in 2009, he was awarded the Order of Polonia Restituta for his contribution to Polish football.

Lastly, Polish football enthusiasts in the Netherlands regularly organise amateur competitions. They too are part of Dutch-Polish football history!

*I originally wrote this post for the social media outlets of the Dutch Embassy in Poland. This was post no. 56.

A Prehistoric Polish Giant in Brabant (NL Embassy in PL)

Dutch-Polish relations keep evolving, also in the world of science and scholarship. For some years now, the field of palaeontology has profited from the close cooperation between the University of Opole and the Oertijdmuseum (Prehistory Museum) in Boxtel, Noord-Brabant. Researchers from both institutions have been working together to uncover and analyse ancient remains from Krasiejów, a the village not far from Opole. Krasiejów is home to a ‘mass cemetery’ of reptiles and amphibians. Their bones have been washed together by the flow of rivers and are generally well-preserved. The finds are ca. 225 million years old, which places them in the Triassic period, predating the global dinosaur expansion. At that time, the lands we now call Poland had a subtropical, wet climate, which provided perfect living conditions for these creatures.

The latest result of the cooperation between Opole and Boxtel is the reconstruction of a Metoposaurus: a type of amphibia that could measure between 2 and 3 meters in length and mainly fed on fish. The reconstructed skeleton, which was found in Krasiejów and measures 1.7 meters, is currently on view in the Oertijdmuseum in Boxtel. It is the main attraction of an exhibition titled ‘De Onbekende Reuzen’ (‘The Unknown Giants’). Remains of Metoposauruses have been found across Europe and the United States, but the example from Poland is unique, because it is almost complete: 85% of the skeleton is original! The missing 15% have been added in Boxtel with the use of a 3D-printer.

The prehistoric ‘Polish giant’ will be on view at the Oertijdmuseum in Boxtel for at least another 5 months.

*I originally wrote this post for the social media outlets of the Dutch Embassy in Poland. This was post no. 55.

Dutch-Polish Football History 1 (NL Embassy in PL)

Did you know that the football match between the Netherlands and Poland last Sunday was the first time the two national teams encountered each other in a European or World Championship? In addition, it was the 20th official game between the two teams overall. The first ever game was a friendly match that took place in Warsaw on 1 May 1968, and it ended in 0-0. Most other confrontations were part of qualification rounds for a European or World Championship. Until now, team ‘Oranje’ has won 10 times, while the ‘Biało-Czerwoni’ have won 3 times. 7 games ended in a draw.

Most goals were scored in two matches played in 1975, during the qualifications for the European Championship of the following year. Both teams then belonged to the world’s best: at the World Championship of 1974, the Netherlands had finished 2nd and Poland 3rd. In the qualifications of 1975, Poland won the first game, which occurred in Chorzów on 10 September 1975: 4-1. Grzegorz Lato, Robert Gadocha and Andrzej Szarmach scored for Poland, while René van de Kerkhof scored for the Netherlands. In the return match, however, which took place in Amsterdam on 15 October that same year, the Netherlands beat Poland 3-0. Johan Neeskens, Ruud Geels and Frans Thijssen were the ones to score that evening.

The Polish coach Kazimierz Górski later recalled that many Poles who lived in France, Belgium, England and even the United States had come to see the match in Amsterdam. The Polish team made an outing to a ship in the docks, where they were very kindly treated by local sailors. The night before the game, most players were busy speaking to their wives on the telephone, who were staying in a hotel a few dozen kilometres from Amsterdam. In the end, the Netherlands won the qualification round and participated in the European Championship of 1976, finishing 3rd.

*I originally wrote this post for the social media outlets of the Dutch Embassy in Poland. This was post no. 54.